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Past Events

FARRENC Trio for Flute, Cello, and Piano, Op. 45
Allegro deciso
Andante
Scherzo. Vivace
Finale. Presto
Tara Helen O’Connor, flute • Keith Robinson, cello • Michael Stephen Brown, piano

AKIHO Deciduous
Andy Akiho, steel pan • Ian Rosenbaum, marimba

CHAUSSON Chanson perpétuelle, Op. 37
Jennifer Johnson Cano, mezzo-soprano • Michael Stephen Brown, piano
Quartet from Curtis
Danny Yehun Jim • Maya Buchanan, violin •
Emad Zolfaghari, viola • Matthew Christakos, cello

INTERMISSION

MENDELSSOHN String Octet in E-flat major, Op. 20
Allegro moderato con fuoco
Andante
Scherzo. Allegro leggierissimo
Presto
Danny Yehun Jim • Luke Henderson • Maya Buchanan • Isaac Park, violin
James Preucil • Emad Zolfaghari, viola • Ian Maloney • Matthew Christakos, cello

COLEMAN Maombi Asante (Prayer of Thanks)
Tara Helen O’Connor, flute • Isaac Park, violin • Matthew Christakos, cello

AKIHO Daidai Iro
Andy Akiho, steel pan • Ian Rosenbaum, marimba

CHAUSSON Chanson perpétuelle, Op. 37
Jennifer Johnson Cano, mezzo-soprano • Michael Stephen Brown, piano
Quartet from Curtis
Danny Yehun Jim • Maya Buchanan, violin
Emad Zolfaghari, viola • Matthew Christakos, cello

INTERMISSION

MENDELSSOHN String Octet in E-flat major, Op. 20
Allegro moderato con fuoco
Andante
Scherzo. Allegro leggierissimo
Presto
Danny Yehun Jin • Luke Henderson • Maya Buchanan • Isaac Park, violin
James Preucil • Emad Zolfaghari, viola • Ian Maloney • Matthew Christakos, cello

FARRENC Trio for Flute, Cello, and Piano, Op. 45
Allegro deciso
Andante
Scherzo. Vivace
Finale. Presto
Tara Helen O’Connor, flute • Keith Robinson, cello • Michael Stephen Brown, piano

AKIHO Hada Iro
Andy Akiho, steel pan • Ian Rosenbaum, marimba

MAHLER Four Rückert-Lieder
Ich atmet’ einen linden Duft
Liebst du um Schönheit
Blicke mir nicht in die Lieder!
Ich bin der Welt abhanden gekomen
Jennifer Johnson Cano, mezzo-soprano • Michael Stephen Brown, piano

INTERMISSION

MENDELSSOHN Trio No. 1 in D minor, Op. 49
Molto allegro ed agitato
Andante con molto tranquillo
Scherzo. Leggiero e vivace
Finale. Allegro assai appassionato
Cathy Meng Robinson, violin • Keith Robinson, cello • Michael Stephen Brown, piano

BELLINI “Vaga luna, che inargenti”

BELLINI “Malinconia, ninfa gentile”

BELLINI “Dolente immagine di Fille mia”

BELLINI “Per pietà, bell’idol mio”

GRIEG Sechs Lieder (Six Songs), Op.48

DUPARC “L’Invitation au voyage”

DUPARC “Phidylé”

DUPARC “Au pays où se fait la guerre”

RACHMANINOFF Vocalise, Op. 34

JONATHAN DOVE Nights Not Spent Alone

ANNA CLYNE This Moment (World Premiere)
MOZART Requiem

Yannick Nézet-Séguin, conductor
Jennifer Johnson Cano, mezzo soprano
Issachah Savage, tenor
Colorado Symphony & Bravo! Vail
Festival Choruses, Duain Wolfe, director
Addittional artists to be announced

Gustav Mahler
Symphony No. 2, “Resurrection”

CONDUCTOR
Osmo Vänskä

SOPRANO
Mané Galoyan

MEZZO-SOPRANO
Jennifer Johnson Cano

Seattle Symphony Chorale

Seattle Symphony

Gustav Mahler
Symphony No. 2, “Resurrection”

CONDUCTOR
Osmo Vänskä

SOPRANO
Mané Galoyan

MEZZO-SOPRANO
Jennifer Johnson Cano

Seattle Symphony Chorale

Seattle Symphony

Andreas Delfs, conductor
Rochester Oratorio Society

MAHLER  Symphony No. 2, “Resurrection”
One of the greatest symphonies of all time closes out your season. Completed in 1894, Gustav Mahler’s Second Symphony was the first significant work exploring his lifelong perspectives of the afterlife and established him as a leading composer of his day. An all-embracing work, it is the first of Mahler’s symphonies to use voices, words, and orchestra to create a musical experience that will stay with you far beyond the concert hall. Join us as we sound the trumpets and ring the bells for this grand Season Finale!

Andreas Delfs, conductor
Rochester Oratorio Society

MAHLER  Symphony No. 2, “Resurrection”
One of the greatest symphonies of all time closes out your season. Completed in 1894, Gustav Mahler’s Second Symphony was the first significant work exploring his lifelong perspectives of the afterlife and established him as a leading composer of his day. An all-embracing work, it is the first of Mahler’s symphonies to use voices, words, and orchestra to create a musical experience that will stay with you far beyond the concert hall. Join us as we sound the trumpets and ring the bells for this grand Season Finale!

A unique collaboration between outstanding young musicians and an expert on the music of J.S. Bach, the Gamut Bach Ensemble prides itself on stylistically sensitive, earnest, and insightful performances. Directed by Koji Otsuki, the Ensemble embarks on a program of cantatas in the luminous Church of the Holy Trinity.

Sarah Shafer, soprano; Jennifer Johnson Cano, mezzo-soprano; Daniel McGrew, tenor; Edward Vogel, baritone; Mary Lynch VanderKolk & Harrison Linsey, oboe; Jacob Thonis, bassoon; Emilie-Anne Gendron & Miho Saegusa, violin; Ayane Kozasa, viola; Paul Wiancko, cello; Nathaniel West, double bass; Jonathan Oddie, organ; Koji Otsuki, director

Bach: Wer weiß, wie nahe mir mein Ende, BWV 27
Bach: Sie werden euch in den Bann tun, BWV 44
Bach: Am Abend aber desselbigen Sabbats, BWV 42

MAHLER

Symphony No. 2

BOSTON PHILHARMONIC YOUTH ORCHESTRA

BENJAMIN ZANDER, CONDUCTOR

JENNIFER JOHNSON CANO, MEZZO-SOPRANO

CHORUS PRO MUSICA

A live performance of Mahler’s Resurrection Symphony is always more than a concert—it is a communal experience. This overwhelming, heaven-storming symphony takes the listener on a long journey towards an exalted destination. It starts by laying the hero of Mahler’s First Symphony, the Titan, to rest, with a shatteringly dramatic, annihilating funeral march. And then the rest of the symphony builds a new pathway to hope and ultimate affirmation. In the second and third movements a critical eye scans both the beauty and the absurdity of this world. And in the final two movements the transition is effected from earthly striving and insufficiency to heavenly fulfillment. There is no work in the repertory, none whatsoever, that so completely unites performers and audience in a transformative musical affirmation. We are extraordinarily fortunate in our vocal soloists for this performance.

PROGRAM

Mozart Symphony No. 25

Steven Mackey RIOT (World Premiere, New Jersey Symphony Co-Commission)

Mozart Overture to Don Giovanni

Bruckner Te Deum

PERFORMERS

Xian Zhang conductor
Meigui Zhang soprano
Jennifer Johnson Cano mezzo-soprano
Alicia Olatuja mezzo-soprano
Sean Panikkar tenor
Nathan Berg bass-baritone
Steven Mackey electric guitar
Princeton University Glee Club | Gabriel Crouch, director
New Jersey Symphony

PROGRAM

Mozart Symphony No. 25

Steven Mackey RIOT (World Premiere, New Jersey Symphony Co-Commission)

Mozart Overture to Don Giovanni

Bruckner Te Deum

PERFORMERS

Xian Zhang conductor
Meigui Zhang soprano
Jennifer Johnson Cano mezzo-soprano
Alicia Olatuja mezzo-soprano
Sean Panikkar tenor
Nathan Berg bass-baritone
Steven Mackey electric guitar
Princeton University Glee Club | Gabriel Crouch, director
New Jersey Symphony

PROGRAM

Mozart Symphony No. 25

Steven Mackey RIOT (World Premiere, New Jersey Symphony Co-Commission)

Mozart Overture to Don Giovanni

Bruckner Te Deum

PERFORMERS

Xian Zhang conductor
Meigui Zhang soprano
Jennifer Johnson Cano mezzo-soprano
Alicia Olatuja mezzo-soprano
Sean Panikkar tenor
Nathan Berg bass-baritone
Steven Mackey electric guitar
Princeton University Glee Club | Gabriel Crouch, director
New Jersey Symphony

Verdi’s glorious Shakespearean comedy features a brilliant ensemble cast in Robert Carsen’s celebrated staging. Baritone Michael Volle sings his first Verdi role at the Met as the caddish knight Falstaff, gleefully tormented by a trio of clever women who deliver his comeuppance. Reuniting after their acclaimed turns in the production’s 2019 run are soprano Ailyn Pérez as Alice Ford, soprano Jennifer Johnson Cano as Meg Page, and mezzo-soprano Marie-Nicole Lemieux as Mistress Quickly. Soprano Hera Hyesang Park and tenor Bogdan Volkov are the young couple Nannetta and Fenton, and Maestro Daniele Rustioni conducts.

Verdi’s glorious Shakespearean comedy features a brilliant ensemble cast in Robert Carsen’s celebrated staging. Baritone Michael Volle sings his first Verdi role at the Met as the caddish knight Falstaff, gleefully tormented by a trio of clever women who deliver his comeuppance. Reuniting after their acclaimed turns in the production’s 2019 run are soprano Ailyn Pérez as Alice Ford, soprano Jennifer Johnson Cano as Meg Page, and mezzo-soprano Marie-Nicole Lemieux as Mistress Quickly. Soprano Hera Hyesang Park and tenor Bogdan Volkov are the young couple Nannetta and Fenton, and Maestro Daniele Rustioni conducts.

Verdi’s glorious Shakespearean comedy features a brilliant ensemble cast in Robert Carsen’s celebrated staging. Baritone Michael Volle sings his first Verdi role at the Met as the caddish knight Falstaff, gleefully tormented by a trio of clever women who deliver his comeuppance. Reuniting after their acclaimed turns in the production’s 2019 run are soprano Ailyn Pérez as Alice Ford, soprano Jennifer Johnson Cano as Meg Page, and mezzo-soprano Marie-Nicole Lemieux as Mistress Quickly. Soprano Hera Hyesang Park and tenor Bogdan Volkov are the young couple Nannetta and Fenton, and Maestro Daniele Rustioni conducts.

Verdi’s glorious Shakespearean comedy features a brilliant ensemble cast in Robert Carsen’s celebrated staging. Baritone Michael Volle sings his first Verdi role at the Met as the caddish knight Falstaff, gleefully tormented by a trio of clever women who deliver his comeuppance. Reuniting after their acclaimed turns in the production’s 2019 run are soprano Ailyn Pérez as Alice Ford, soprano Jennifer Johnson Cano as Meg Page, and mezzo-soprano Marie-Nicole Lemieux as Mistress Quickly. Soprano Hera Hyesang Park and tenor Bogdan Volkov are the young couple Nannetta and Fenton, and Maestro Daniele Rustioni conducts.

Verdi’s glorious Shakespearean comedy features a brilliant ensemble cast in Robert Carsen’s celebrated staging. Baritone Michael Volle sings his first Verdi role at the Met as the caddish knight Falstaff, gleefully tormented by a trio of clever women who deliver his comeuppance. Reuniting after their acclaimed turns in the production’s 2019 run are soprano Ailyn Pérez as Alice Ford, soprano Jennifer Johnson Cano as Meg Page, and mezzo-soprano Marie-Nicole Lemieux as Mistress Quickly. Soprano Hera Hyesang Park and tenor Bogdan Volkov are the young couple Nannetta and Fenton, and Maestro Daniele Rustioni conducts.

Verdi’s glorious Shakespearean comedy features a brilliant ensemble cast in Robert Carsen’s celebrated staging. Baritone Michael Volle sings his first Verdi role at the Met as the caddish knight Falstaff, gleefully tormented by a trio of clever women who deliver his comeuppance. Reuniting after their acclaimed turns in the production’s 2019 run are soprano Ailyn Pérez as Alice Ford, soprano Jennifer Johnson Cano as Meg Page, and mezzo-soprano Marie-Nicole Lemieux as Mistress Quickly. Soprano Hera Hyesang Park and tenor Bogdan Volkov are the young couple Nannetta and Fenton, and Maestro Daniele Rustioni conducts.