Calendar

Jennifer Johnson Cano, mezzo-soprano
Paul Neubauer, viola
Anne-Marie McDermott, piano

Frank Bridge Three Songs for voice, viola and piano 

Far, far from each other
Where is it that our soul doth go?
Music when soft voices die

Johannes Brahms

Von ewiger Liebe from Vier Gesänge for voice and piano, Op. 43

Unbewegte laue Luft from Acht Lieder und Gesänge for voice and piano, Op. 57

Two Songs for voice, viola and piano, Op. 91 
Gestillte Sehnsucht: Adagio espressivo
Geistliches Wiegenlied: Andante con moto

Robert Schumann/Franz Liszt

Widmung for solo piano, S. 566

Intermission

Richard Wagner Wesendonck Lieder for voice, viola and piano, WWV 91
Der Engel (The Angel)
Stehe still!
Im Treibhaus
Schmerzen
Träume

Francis Casadesus Romance Provençale and Danse for viola and piano

Jules Massenet Elegy from The Erynnies for voice, viola and piano, Op. 10 

Simone Dinnerstein, Jennifer Johnson Cano, Katherine Needleman and the Baroklyn ensemble perform an evening of chamber works by J.S. Bach to open a special Founder's Day 2025 celebration marking the Library’s illustrious century-long history as a concert presenter. This concert and the following day’s performance by the percussion ensemble Tambuco are an homage to Elizabeth Sprague Coolidge’s forward-looking stance in championing music both very old and very new. Baroklyn’s arresting new arrangements and transcriptions of the chorales, concerto and cantata on the program were chosen by Dinnerstein, “a unique voice in the forest of Bach interpretation,” (New York Times). Created for the group’s recent Complicité project, they reveal an intimate and thoughtful reimagining of Bach’s music that allows us to experience his genius through contemporary ears.

“My chief aim was to awaken and permanently instill spiritual feelings not only in the singers but in the listeners,” said Beethoven of his immense and moving Missa solemnis (“Solemn Mass”). Observing the structure of a traditional Catholic mass, Missa solemnis is a vibrant paean to faith but also to humanity. This concert concludes Music Director Ken-David Masur’s final season as well as the Milwaukee Symphony Chorus’ 50th anniversary celebration. As Beethoven penned at the top of his score: “From the heart: may it go to the heart.”

“My chief aim was to awaken and permanently instill spiritual feelings not only in the singers but in the listeners,” said Beethoven of his immense and moving Missa solemnis (“Solemn Mass”). Observing the structure of a traditional Catholic mass, Missa solemnis is a vibrant paean to faith but also to humanity. This concert concludes Music Director Ken-David Masur’s final season as well as the Milwaukee Symphony Chorus’ 50th anniversary celebration. As Beethoven penned at the top of his score: “From the heart: may it go to the heart.”

Steven Mackey
RIOT

Ludwig van Beethoven
Symphony No. 9, "Choral"

Steven Mackey
RIOT

Ludwig van Beethoven
Symphony No. 9, "Choral"

Steven Mackey
RIOT

Ludwig van Beethoven
Symphony No. 9, "Choral"

Steven Mackey
RIOT

Ludwig van Beethoven
Symphony No. 9, "Choral"

FRITZ KREISLER (1875–1962)

Marche miniature viennoise
Viennese Rhapsodic Fantasietta

DONGHOON SHIN (b.1983)

Sonnets to Orpheus for Mezzo-soprano and String Quartet 

U.S. Premiere | CMNW Co-Commission

JOHANNES BRAHMS (1833–1897)

Piano Quartet No. 1 in G Minor, Op. 25 (38’)
I. Allegro
II. Intermezzo: Allegro ma non troppo – Trio: Animato
III. Andante con moto
IV. Rondo all Zingarese: Presto

MAURICE RAVEL (1875–1937)

Chansons madécasses, M. 78
I. Nahandove: Andante quasi allegretto
II. Aoua: Andante
III. Il est doux: Lento

STEVEN BANKS (b. 1993)

New Work for Mezzo-soprano and Chamber Ensemble
West Coast Premiere | CMNW Co-Commission

TCHAIKOVSKY

String Sextet in D Minor, Op. 70, Souvenir de Florence (1892)
I. Allegro con spirito
II. Adagio cantabile e con moto
III. Allegro moderato
IV. Allegro vivace

FRITZ KREISLER (1875–1962)

Marche miniature viennoise
Viennese Rhapsodic Fantasietta

DONGHOON SHIN (b.1983)

Sonnets to Orpheus for Mezzo-soprano and String Quartet 

U.S. Premiere | CMNW Co-Commission

JOHANNES BRAHMS (1833–1897)

Piano Quartet No. 1 in G Minor, Op. 25 (38’)
I. Allegro
II. Intermezzo: Allegro ma non troppo – Trio: Animato
III. Andante con moto
IV. Rondo all Zingarese: Presto

MAURICE RAVEL (1875–1937)

Chansons madécasses, M. 78
I. Nahandove: Andante quasi allegretto
II. Aoua: Andante
III. Il est doux: Lento

STEVEN BANKS (b. 1993)

New Work for Mezzo-soprano and Chamber Ensemble
West Coast Premiere | CMNW Co-Commission

TCHAIKOVSKY

String Sextet in D Minor, Op. 70, Souvenir de Florence (1892)
I. Allegro con spirito
II. Adagio cantabile e con moto
III. Allegro moderato
IV. Allegro vivace

PURCELL
Four Songs (arr. Adès)
Come Unto these Yellow Sands
Full Fathom Five
An Evening Hymn
By Beauteous Softness

ADÈS
Concerto Conciso

BRAHMS
Piano Quintet in F Minor, Op. 34

LUTOSŁAWSKI
Variations on a Theme by Paganini

WILLIAMS
Quartet La Jolla (2011)

STEVEN BANKS
New Work (2026)

TCHAIKOVSKY
Souvenir de Florence

Adapted from the Oscar Wilde play of the same name, Salome has been thrilling and shocking audiences since its premiere in 1905. And it's easy to see why: a biblical story complete with a lecherous king, a willful princess, and an unyielding prophet is bound to get attention. Add in a power struggle, a dangerous obsession, and a dance that scandalizes audiences to this day, all set to Strauss's iconic music, and you're in for a wild and gripping performance.

Adapted from the Oscar Wilde play of the same name, Salome has been thrilling and shocking audiences since its premiere in 1905. And it's easy to see why: a biblical story complete with a lecherous king, a willful princess, and an unyielding prophet is bound to get attention. Add in a power struggle, a dangerous obsession, and a dance that scandalizes audiences to this day, all set to Strauss's iconic music, and you're in for a wild and gripping performance.

Adapted from the Oscar Wilde play of the same name, Salome has been thrilling and shocking audiences since its premiere in 1905. And it's easy to see why: a biblical story complete with a lecherous king, a willful princess, and an unyielding prophet is bound to get attention. Add in a power struggle, a dangerous obsession, and a dance that scandalizes audiences to this day, all set to Strauss's iconic music, and you're in for a wild and gripping performance.

Adapted from the Oscar Wilde play of the same name, Salome has been thrilling and shocking audiences since its premiere in 1905. And it's easy to see why: a biblical story complete with a lecherous king, a willful princess, and an unyielding prophet is bound to get attention. Add in a power struggle, a dangerous obsession, and a dance that scandalizes audiences to this day, all set to Strauss's iconic music, and you're in for a wild and gripping performance.

Adapted from the Oscar Wilde play of the same name, Salome has been thrilling and shocking audiences since its premiere in 1905. And it's easy to see why: a biblical story complete with a lecherous king, a willful princess, and an unyielding prophet is bound to get attention. Add in a power struggle, a dangerous obsession, and a dance that scandalizes audiences to this day, all set to Strauss's iconic music, and you're in for a wild and gripping performance.