Calendar

Adapted from the Oscar Wilde play of the same name, Salome has been thrilling and shocking audiences since its premiere in 1905. And it's easy to see why: a biblical story complete with a lecherous king, a willful princess, and an unyielding prophet is bound to get attention. Add in a power struggle, a dangerous obsession, and a dance that scandalizes audiences to this day, all set to Strauss's iconic music, and you're in for a wild and gripping performance.

Adapted from the Oscar Wilde play of the same name, Salome has been thrilling and shocking audiences since its premiere in 1905. And it's easy to see why: a biblical story complete with a lecherous king, a willful princess, and an unyielding prophet is bound to get attention. Add in a power struggle, a dangerous obsession, and a dance that scandalizes audiences to this day, all set to Strauss's iconic music, and you're in for a wild and gripping performance.

Adapted from the Oscar Wilde play of the same name, Salome has been thrilling and shocking audiences since its premiere in 1905. And it's easy to see why: a biblical story complete with a lecherous king, a willful princess, and an unyielding prophet is bound to get attention. Add in a power struggle, a dangerous obsession, and a dance that scandalizes audiences to this day, all set to Strauss's iconic music, and you're in for a wild and gripping performance.

Adapted from the Oscar Wilde play of the same name, Salome has been thrilling and shocking audiences since its premiere in 1905. And it's easy to see why: a biblical story complete with a lecherous king, a willful princess, and an unyielding prophet is bound to get attention. Add in a power struggle, a dangerous obsession, and a dance that scandalizes audiences to this day, all set to Strauss's iconic music, and you're in for a wild and gripping performance.

SALINA FISHER Kintsugi for Orchestra
RAVEL Le Tombeau de Couperin
MOZART Requiem, K. 626

Gemma New, Conductor

SALINA FISHER Kintsugi for Orchestra
RAVEL Le Tombeau de Couperin
MOZART Requiem, K. 626

Gemma New, Conductor

SALINA FISHER Kintsugi for Orchestra
RAVEL Le Tombeau de Couperin
MOZART Requiem, K. 626

Gemma New, Conductor

World Premiere of Bartleby by Gregory Spears

Selections by Granados, Grieg, Liszt, and Jonathan Dove

Michael Fabiano takes on the tour-de-force title role of what many consider the ultimate Italian opera, Verdi’s monumental Shakespearean tragedy. Beloved soprano Angel Blue make her company role debut as the long-suffering Desdemona, alongside baritone Amartuvshin Enkhbat as the sinister Iago. Daniele Rustioni leads the full forces of the Met Orchestra and Chorus in the exhilarating score.

Michael Fabiano takes on the tour-de-force title role of what many consider the ultimate Italian opera, Verdi’s monumental Shakespearean tragedy. Beloved soprano Angel Blue make her company role debut as the long-suffering Desdemona, alongside baritone Amartuvshin Enkhbat as the sinister Iago. Daniele Rustioni leads the full forces of the Met Orchestra and Chorus in the exhilarating score.

Michael Fabiano takes on the tour-de-force title role of what many consider the ultimate Italian opera, Verdi’s monumental Shakespearean tragedy. Beloved soprano Angel Blue make her company role debut as the long-suffering Desdemona, alongside baritone Amartuvshin Enkhbat as the sinister Iago. Daniele Rustioni leads the full forces of the Met Orchestra and Chorus in the exhilarating score.

Michael Fabiano takes on the tour-de-force title role of what many consider the ultimate Italian opera, Verdi’s monumental Shakespearean tragedy. Beloved soprano Angel Blue make her company role debut as the long-suffering Desdemona, alongside baritone Amartuvshin Enkhbat as the sinister Iago. Daniele Rustioni leads the full forces of the Met Orchestra and Chorus in the exhilarating score.

Michael Fabiano takes on the tour-de-force title role of what many consider the ultimate Italian opera, Verdi’s monumental Shakespearean tragedy. Beloved soprano Angel Blue make her company role debut as the long-suffering Desdemona, alongside baritone Amartuvshin Enkhbat as the sinister Iago. Daniele Rustioni leads the full forces of the Met Orchestra and Chorus in the exhilarating score.

Michael Fabiano takes on the tour-de-force title role of what many consider the ultimate Italian opera, Verdi’s monumental Shakespearean tragedy. Beloved soprano Angel Blue make her company role debut as the long-suffering Desdemona, alongside baritone Amartuvshin Enkhbat as the sinister Iago. Daniele Rustioni leads the full forces of the Met Orchestra and Chorus in the exhilarating score.

Fabio Luisi, Conductor 
John Matthew Myers, Evangelist
Hanno Müller-Brachmann, Jesus/Christus
Deanna Breiwick, Soprano
Jennifer Johnson Cano, Mezzo-Soprano
Brian Giebler,  Tenor
Edmund Milly, Bass
Dallas Symphony Chorus – Anthony Blake Clark Chorus Director

Fabio Luisi, Conductor 
John Matthew Myers, Evangelist
Hanno Müller-Brachmann, Jesus/Christus
Deanna Breiwick, Soprano
Jennifer Johnson Cano, Mezzo-Soprano
Brian Giebler,  Tenor
Edmund Milly, Bass
Dallas Symphony Chorus – Anthony Blake Clark Chorus Director

BEETHOVEN Overture to The Creatures of Prometheus
Calliope TSOUPAKI Aurora (U.S. Premiere)
BEETHOVEN Symphony No. 9

BEETHOVEN Overture to The Creatures of Prometheus
Calliope TSOUPAKI Aurora (U.S. Premiere)
BEETHOVEN Symphony No. 9

Brahms: Two Songs, Op. 91
Schumann: Adagio and Allegro, Op. 70 (Arr. for Viola and Piano)
Grieg: Sechs Lieder, Op. 48
Liszt: Romance oubliée (Arr. For Viola and Piano)
Liszt: Three Songs
Bridge: Three Songs for Voice, Viola, and Piano
Vaughan Williams: Romance
Dove: Night's Not Spent Alone